The album recording, however, does not have such prominent percussion and, in some cases, has slightly different orchestrations in the parts that can be compared to the film.

The music was composed and conducted by John Williams and performed by the London Symphony Orchestra and London Voices.

A music video titled A Hero Falls was created for one of the films themes, Battle of the Heroes, featuring footage from the film.

The DVD featured sixteen music videos set to remastered selections of music from all six film scores, set chronologically through the saga.

Instead, it presents highlights from the score edited together in a concert suite-like program, presenting a musical story over the course of the album.

Although the previous films, and indeed, Episode III, had a quieter descend into the next piece, here, earlier than previous films, This track does not follow the music heard in the film after the opening titles.

Most of the rest appears during the end of the wheel bike chase and the final fight between the characters on the landing platform, although parts of it were not used.

A militaristic version of the Force Theme is heard at 0:38, heralding Obi-Wans arrival on the Tenth Level.

The second half of the track consists of the music in the scenes where Anakin learns that Palpatine is a Sith Lord and Anakins mission from the Jedi Council.

The second part of the track plays when Palpatine instructs Anakin to go to the Jedi Temple and kill all the Jedi inside.

Some of the track also plays while Yoda and Palpatine are dueling in the underbelly of the Senate Rotunda.

As the track starts off, the beat is set by the strings, low brass, and percussion.

The trumpets then come in with a short soli each followed by a cymbal crash.

Then the low brass comes in with the theme from Battle of the Heroes.

After that a selection of The Duel, from Episode V, is heard followed by the return of Battle of the Heroes.

It goes through a few different versions before going into a variation of Force Theme.

It continues as Obi-Wan Kenobi confronts Padm Amidala about where Anakin has gone, and then discovers that Anakin is the father of her children.

It plays until the end of Skywalkers destruction of the Separatist Council.

A rendition of Anakins B-theme, first heard in Episode I, and associated with Shmis Theme, plays after the opening percussion.

A statement of The Imperial March appears at 03:19, as well as a truncated version of the Force Theme at 03:44, followed by The Emperors Theme.

The second part of the 3:37 track contains an extended version of the Funeral cue in the Phantom Menace song The High Council Meeting and Qui-Gons Funeral.

Here, Leias theme, Binary SunsetThe Throne Room and End Title (Ep.

Also true to form for the prequel trilogy, many scenes contained pre-planned tracked music.

Such is the case of The Tide Turns from Star Wars: Episode I The Phantom Menace, tracked in for the scene when Anakin flies the now-crippled Invisible Hand for a crash landing on Coruscant.

Revenge Of The Sith Ost